What Is Alternative Comedy?
It began as a protest against racist club comics in 1979 London and became the name for any comedy that refuses the usual rules. Here is what “alt” actually means, where it came from and how to recognise it.
The guide to alternative comedy
Anti-jokes, ten-minute silences, songs about loneliness and sketches that shouldn't work but do. We cover the comedians, specials, shows and scenes that took comedy somewhere it wasn't supposed to go, and explain why they matter.
New to alternative comedy? These guides will get you up to speed.
It began as a protest against racist club comics in 1979 London and became the name for any comedy that refuses the usual rules. Here is what “alt” actually means, where it came from and how to recognise it.
From a man with a newspaper at the hungry i to a special premiering on YouTube, here are the moments that shaped alternative comedy, decade by decade.
What's a tag? Who's hack? Why did the comic say they ate it? A plain-English glossary of the words comedians, bookers and critics actually use.
A lounge comic who hates you, a moth at the podiatrist, a man reading The Great Gatsby aloud until the audience leaves. Anti-comedy turns the failure of a joke into the joke.
Ten comedians doing the most interesting work in alternative comedy right now, ranked, with the reason for each pick and the best place to start.
The guides readers come back to most.
The people who rewrote the rules, and the ones rewriting them now.
He lip-synced a cartoon theme, read The Great Gatsby to paying crowds and wrestled women on network television. Forty years after his death, Andy Kaufman is still the reference point for every comedian who makes the audience wonder what's real.
Elliott Goss, a rock-doc stand-up special, a fake reunion special with Kate Berlant and a camp melodrama he wrote, directed and starred in. A guide to the most theatrical comedian of his generation.
Ninety-odd minutes on one subject, written like an essay and performed like a seduction. The story of Get On Your Knees, and of the writer-comedian behind it.
He tells you which bits aren't working, which parts of the room don't get it, and then does the joke again. Why Stewart Lee's deconstructed stand-up is the central British alt comedy act of the century.
Your favourite comedian's favourite comedian, finally getting the documentary. Three decades of Maria Bamford, from Minneapolis open mics to Netflix, a bestselling memoir and Sundance.
A Salvadoran writer who turned SNL's oddest sketches into a career of his own: two HBO series, an A24 film with Tilda Swinton and specials about shapes and colours.
A business graduate from Vancouver who built a career out of awkward silences, absurd schemes and real people. The full story of Nathan Fielder’s work, project by project.
Mensa, Nabokov, Cathy comics, Spiritualists, hot dogs and the internet's forgotten viral stars. How a stand-up built the most distinctive catalogue in comedy podcasting.
Definitive guides to the series and specials that changed the form.
Thirty episodes, four seasons, a terrible time slot and a writers’ room that seeded twenty years of American comedy. How Bob Odenkirk and David Cross built the sketch show everyone else studied.
A replica bar in Brooklyn, a fake family in Oregon, a singing competition for airline pilots and a real Boeing 737. What Nathan Fielder set out to do in The Rehearsal, and what he ended up doing instead.
Sixty-nine minutes at the Sydney Opera House that start as a stand-up show and end as an indictment of one. A close look at how Nanette is built, why it landed, and the arguments it still starts.
Eighteen short episodes about men who will not admit they’re wrong. How Tim Robinson and Zach Kanin made the defining sketch show of its era, and what’s next.
Five men from Toronto and Calgary, a theme tune by a surf-rock band and a head-crushing man on a street corner. Why the Kids in the Hall still feel weirder and braver than most sketch made since.
Fifty eleven-minute episodes of public-access nightmare, fake products and John C. Reilly as Dr. Steve Brule. How Tim Heidecker and Eric Wareheim made the ugliest show on television, and why so much internet comedy now looks like it.
From Richard Pryor in Long Beach to Jacqueline Novak off-Broadway: the stand-up hours and albums that changed what a comedy special could be.
Seventeen years of garages, improv riffs, bad movies and dream meals, boiled down to the 25 shows that defined the medium.
Practical, no-nonsense guides for performers: from your first open mic to self-releasing a special.
Your first mic, your first five minutes, your first bomb and what to do the morning after. A practical route into the weirder end of stand-up.
Fourteen named tools that sit under most jokes, sketches and bits, from the rule of three to reverse-world logic, each with an original example and an exercise.
A Fringe hour isn't five club sets glued together. It's one idea, held for fifty-odd minutes, that ends somewhere the audience didn't see coming.
The microphone is the easy part. The hard part is a format someone can describe in one sentence and a release schedule you can keep for a year.
The big questions: what comedy is for, what it can get away with, and what it costs the people who make it.
Every joke has a target, a room and a reason. A clear-eyed guide to the philosophy, the real controversies and the working tests comedians use to decide whether a joke is worth the cost.
The idea that great comedians are secretly miserable is centuries old and mostly unexamined. Here is what researchers have actually measured, what comedians have said in their own words, and what the job itself does to people.
Philosophers have distrusted laughter and prescribed it in roughly equal measure. On irony, the absurd, and the comedians whose work is philosophy in everything but name.
Jokes rarely pass laws. Comedians sometimes do. A field guide to the campaigns, benefits and stunts where comedy stopped commenting on the world and tried to fix part of it.
Talking objects, sketches that never end and characters who accept the impossible without blinking. A guide to the comedy of nonsense, and why it's harder to write than it looks.

From 1990s pun generators to an AI Seinfeld banned from Twitch and a fake George Carlin special, here is what actually happened when comedy met artificial intelligence, and why the writers' guild fought so hard over it.